Thy bosom is endeard with all hearts,
Which I by lacking have supposd dead,
And there reigns love and all love's loving parts,
And all those friends which I thought burid.

How many a holy and obsequious tear
Hath dear religious love stol'n from mine eye,
As interest of the dead, which now appear
But things removed that hidden in thee lie!

Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give;
That due of many now is thine alone.

Their images I loved I view in thee,
And thou (all they) hast all the all of me.


She had a very thin face like the dial of a small clock seen faintly in a dark room in the middle of a night when you waken to see the time and see the clock telling you the hour and the minute and the second, with a white silence and a glowing, all certainty and knowing what it has to
tell of the night passing swiftly on toward further darknesses but moving also toward a new sun.


– What do we think of the boy?... Is he a captive like Smee in Nicholas Nickleby?... He looks lonely.
– You don't think he'll try to call?
– Maybe. He has a secret! A tragic, European secret.
– He's had no upbringing at all, they say. He was reared in Italy among artists and vagrants.
– Doesn't he have a noble brow? If I were a boy, I'd want to look just like that. Imagine, giving up Italy to come live with that awful old man!
– Jo, please don't say "awful". It's slang.
– I'd be terrified to live with him.